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STOP the BULLET! BLOG

  ‘Diaspora Interview on Social Change and National Elections’

10 December 2012
By Charise Frazier

Agunda Okeyo, Editor 

Kenya’s artistic diaspora of writers, musicians and artists create imagery that represents the voice of the nation’s diverse communities. For example, some Kenyans are using their craft to promote non-violence, inclusion and peace like Ngwatilo Mayioo and the male quartet Sauti Sol. Writer and poet Ngwatilo Mayioo beautifully explores the experiences of the various communities within Kenya. She also supported the promotion of the 2010 Kenyan Constitution by appearing in Public Service Announcements sponsored by the Kenyan Human Rights Commission. Popular music group Sauti Sol—comprised of Bien Bien, Aime Baraza, Delvin Mudigi and Willis Chimano--shed light on institutional corruption and proclaim their purpose is to “inject moral obligation” into Kenyan youth. In this edition of the STOP the BULLET! blog, I speak to a young Kenyan-American named Miriam Ayoo to share her thoughts on a number of issues related to STB, the Kenyan Diaspora, and the arts. We will delve into how art has influenced peace promotion in Kenya and get firsthand insight into the creative, cultural experiences that shaped this young determined woman.

1. Share your name, age, and birthplace. Let us know about who you are.



My name is Miriam Ayoo, I’m 22, born and raised in Jersey City, NJ, but my family originates from (Kisumu and Kisi) Kenya. I’m a recent college graduate [of Pomona College] and I’m currently just working right now trying to figure out what career path I want to take. I have a lot of interest in international affairs, and specifically working in development. Right now I’m working at a non-profit for urban youth in Jersey City (New City Kids). We [support] teen development and [offer] an after school center for young kids.

2. What role does art play in your life?  Whether you are an artist or connoisseur of art, why do you think art matters—try to provide some examples. 



Art has always played a significant role in my life. I’ve always been attracted to the arts, both consuming it and producing it (mostly music and also dance), so for me ever since I was young I would use art as an expression of whatever feeling or emotions that I have; for me, it’s one of the most important things. [Currently], I’m trying to incorporate art into my every day work life, to figure out how I can create a career out of it- a mixture of art, like social justice and public policy. I haven’t figured it out yet but I just think it has a transformative power to make people go inside of themselves and see how they can change for the better.

3. As a member of the Kenyan Diaspora, do you consider art as a means of global communication? Do you have personal experience where art has connected or reconnected you to Kenyan social issues—elaborate on the experience, rather than the specifics.



Yea definitely, especially with the advent of social media and the means to get art out so quickly digitally. I was in Kenya from January to June of this year, and it was with a bunch of artists; I was working in a visual arts hub there so I was with a bunch of photographers, filmmakers and they were- the whole hub was about art for social change and using it specifically for peace building. Even though I left in June I am still up to date with all the stuff that they’re doing, all the films that were coming out. I definitely feel that with the advent of social media it’s helped to keep me globally connected and to be able to see communities and different places and the different fights that they are fighting. The artistic ways that they are going about it is much easier to track now.

The experience I had this year working at the hub and the project I was working on was created [after] the post-election violence. It was a film (Heal the Nation by Boniface Mwangi) talking about the post-election violence. People gave their experiences and it was a way for people to reconcile and forge peace as the next election comes around. We went throughout all the slums in Nairobi to show it to different communities and held forums about it. Every time we went into the hall to show it (it was like a 30 minute movie) people’s faces-you could just see how they were impacted by the visual images that they saw, just like the experiences of people as they told them throughout the movie. That made me feel more grounded and humbled while I was there in Nairobi just to see how something like this film could help spark dialogue in different places and just be a catalyst for positive change.

4. How did you learn about STOP the BULLET! and what made you want to learn more and what issues does STB address that made you want to get more involved?

I heard about STB from Agunda herself. My cousin came and talked to me and said “I know someone who’s doing work in Kenya and Diaspora and peace building and things and she is looking for people to help her out. So I gave him my number to give to her and she reached out to me and we’ve been in communication since. I feel like it’s just a continuation of what I was doing in Kenya and now have the opportunity to do it while I’m here back in the U.S. I think specifically using the arts for peace building, that’s exactly the lane I was in when I was in Kenya so I think it’s a really great effort, really interesting and I hope it will be [thought] provoking as well.

5. What are your thoughts on the 2007/2008 elections and the aftermath that occurred? Were you or your family affected by the violence?



No one I know was directly affected; most of my family was in Kisumu (because it was during Christmas time when it started) so people were in the countryside for the holidays. Most of the violence was happening in the towns and in the [ghettoes] and my family isn’t in those [communities]. No one was directly impacted. Obviously there was shortage of food, shortage of a lot of things so they were affected in that way, not physically affected. My thought on it was that I was really shocked. I remember I was here (in the U.S.) and my family and I were looking at the polls on the internet because it came up live stream and when everything went down I was shocked because Kenya has never been that kind of country to have violence. Amongst the east African area, the Somalis, the Ugandans, [and] other countries that are having civil and political strife but Kenya tends not to be that way. When the ’07-’08 violence happened I was really shocked. I am going back to Kenya this year to do more around the topic. I learned just how deep it went. I learned the political lines were really drawn based on ethnicity and just how people kind just went...their souls were taken out. It was just some sort of vengeful thing that had grown for decades you know? It kind of just came to be. I’m kind of nervous because not much has changed since ’07-’08. I am nervous about next year’s election. I think the only reason that things may not happen next year would be because there would be more international watch and pressure for such violence not to happen.  The ethnic tensions and the deep-seated political ties that people have from independence; those have not been addressed well. We’ll see how it goes.

6. Can you delve into your sense of community as a Kenyan in America? Does it differ from the sense of community with other Americans? Furthermore, what role does family and community living in Kenya play in your life? 



Being born and raised in Jersey, I kind of always considered myself to be an American. I never really reconnected with my Kenyan roots until maybe three years ago when I studied abroad my junior year. Before then I had only visited Kenya maybe twice when I was very young and I can’t even remember those times so essentially I grew up as an American, as an African-American I would say. Even though, the city where I grew up has a large Kenyan community so there were a lot of Kenyan functions were I was able to keep some of the culture in terms of food and music but in terms of language and knowing what’s going on in Kenya I had no clue, I wasn’t a part of that. When I went to Kenya in 2010 for my study abroad that was when I realized how much I missed out in terms of knowing my root culture and getting close with all my family members there, realizing I have a home in Kenya. Like now I feel like Kenya is my home and if anything pops off in the US, I can just run back over there. It’s been a process for me growing up but I’m really happy I got the opportunity to reconnect in that way.



I feel like, in general, Kenyans are a bit more social and people feel more comfortable. I feel like there’s a brotherhood amongst most Kenyans. When I was in Kenya it was much easier to meet and socialize with people. I feel like when I’m in the US, and I guess it depends on where you live in the U.S., right now I’m in the suburbs so it’s difficult to connect with the people around me. There’s a bit more of a feeling of family in Kenya. I would go out somewhere and it was almost 100% sure that I would make a friend going out somewhere. Sometimes it’s not that easy here. I think it’s because America is much more diverse, it’s much more, what’s the euphemism that people use? It’s more of a melting pot; people come from different areas and try to meld together. Whereas, in Kenya, there are a lot of things that tie people together including language [and] history. The city that I grew up in in New Jersey, there’s a large immigrant community, but I feel that it is so segregated. It’s not as melded as I would like it to be. I think that it has something to do with America being so diverse and each community having its own identity and motivations.



7. What Kenyan artist(s) or art forms inspire you? What characteristics of the arts do you wish to see in community building/ peace efforts and why?



In terms of art forms, the one I felt had the most impact was theatre. I saw a lot of theatre when I was there, using theater for reconciliation.  People brought their experiences into theatrical performances. I can’t specify a specific artist; I wouldn’t say I know one who inspires me in terms of community building.

Boniface definitely inspired me. He has a serious, serious passion for the progression and freedom of Kenya and uses his photography to do that. I think what inspired me most is his fearlessness. He does not care; he will use his camera and document the issues in his country. He doesn’t care if he’s saying something about any of the politicians, as long as he is bringing the truth to light.


8. What is your vision for Kenya and what direction would you like to see the country take after the next election cycle?



I would say that my vision for Kenya is that it becomes a place where people’s rights are taken seriously. I feel like right now there’s a lot of unrest. Finally I feel like Kenyans are starting to step up against what I would call the dictatorship that is the government and really fight for their basic rights. For the MP’s to not increase their salaries anytime that they want when there are so many people living in the slums [in] Nairobi and throughout the country. When [there isn't]  adequate water, when power and lights are always going off you know? Just having the basic necessities that any human should have. The ability for people to access their dreams through education and through whatever means that they need to socially move up. I feel like in Kenya right now you are born into the social status that you will remain in and it’s very difficult to be socially mobile. Just having the opportunity to rise despite whatever status you were born into.


Miriam echoes the growing sentiment among Kenyans that art can spark change. Art has helped propel peace efforts in Kenya and support community building. STB urges writers, artists, musicians and others to unite and support an artistic peace platform that inspires and provides hope. Miriam’s statement about how Kenyans need access to basic services and provisions in order to succeed resonates with me. In my opinion, all people should have their basic needs met as an inherent human right. I see art as a medium through which we can attract attention from the powers that be and empower ourselves in the process. We must continue to use art as a means to inspire and spark change. In so doing, we will share the message that art is a viable form of healing, reconciliation and agency.

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